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June 8 – August 10, 2019

Opening Reception: Saturday, June 8
Featuring recent works by Moore alumni, the selections on view in this year’s exhibition represent a variety of degree programs including Fashion Design, Fine Arts, Illustration, Photography & Digital Arts and Textile Design, among others. Showcasing a wide variety of materials and skill sets, this presentation includes artworks in all mediums. This year's exhibition is juried by Emily Zilber, an independent curator and consultant focused on contemporary art, craft, and design. From 2010-2018, Zilber was the first Wornick Curator of Contemporary Decorative Arts at the Museum of Fine Arts, Boston and she currently sits on the boards of the Society of Arts and Crafts, Boston and Craft Now Philadelphia, and on the Board of Advisors of the North Bennet Street School. 


June 8 – July 20, 2019

Presenting "The Magnificent Textiles of Sumatra," an exhibition of textiles that will be featured in Material Culture's October 26-27, 2019 auction. Sumatra is the sixth largest island in the world and the second largest of Indonesia. It stands above all other islands in terms of its wealth of textile arts and amazing variety of textile designs.  This variety arises from the many diverse ethnic groups that inhabit the island—more than 50 different languages are spoken on Sumatra—as well as from the flow of foreign influences over time due to Sumatra’s strategic position along historic trade routes. Over many centuries, Sumatra has been especially influenced by Arab, Indian and Chinese cultures. The variety of ethnicities and international influences on Sumatra has led to the development of a magnificent variety of textile traditions with many different patterns and production techniques. While trade enabled cultural exchange, it also brought great wealth to the island that resulted in the evolution of social and political hierarchies that used textiles to distinguish themselves.  Over the centuries, textiles in Sumatra have served as threads of identity, reflecting the region, wealth, status, sex as well as age group of the wearer. They have also played a key role as valuable exchange goods at all levels of society.  


June 8 – July 20, 2019
This exhibition is the first opportunity for the public to see works by candidates in Moore's MFA program. After completing their first year of rigorous coursework in material research, the candidates have been exposed to a wide range of making while immersing themselves in the city’s cultural offerings and simultaneously, seminars in art history and ethics have posed questions and provided context for their explorations moving forward. Featuring work by Sara Kleinert & Chelsey Webber-Brandis.


April 25 – May 18, 2019  

An annual exhibition featuring work by graduating seniors in culmination of their four years in Moore’s Bachelor of Fine Arts programs, including Animation & Game Arts, Art Education, Art History, Fine Arts, Curatorial Studies, Fashion Design, Graphic Design, Illustration, Interior Design and Photography & Digital Arts. 


March 30 – April 13, 2019
Featuring work by graduates in Moore's MFA program: Kathy Bachofer, Sarah Berg, Tim Goldsmith, Steven Mogck and Rachel Yinger.


March 30 – April 13, 2019
This annual spring exhibition features works by first-year Foundation students, as well as second and third year students majoring in Animation & Game Arts, Art Education, Art History, Curatorial Studies, Fashion Design, Fine Arts, Graphic Design, Illustration, Interior Design and Photography + Digital Arts. 


January 26 – March 16, 2019
Presented as part of The Galleries' ongoing commitment to showcase the diversity of work produced by the Moore community, this triennial gives a glimpse into the issues our talented faculty are currently exploring in their professions and reinforces Moore’s ongoing commitment to showcasing the diversity of work produced by its community. This exhibition features new and recent work by forty-nine faculty members across all disciplines and, for the first time, occupies every gallery on the campus ground  floor. In addition, an accompanying schedule of ongoing and one-time public programs conceived by teaching faculty provides insight into the work of both the makers and the non- makers who prepare Moore’s students for careers in art & design.

Artists included in the exhibition:
Asher Barkley, Andrea Beizer, Carolyn Cherno , Kathryn Dethier, Jeff Dion, Anna Drozdowski, Kathleen Eastwood, Sandra Erbacher, Elaine M. Erne, Alan Evans, Dorothy Funderwhite, Robert Goodman, Sarah Conrad Gothie, Asuka Goto, Richard Harrington, James Johnson, Jerry Kaba, Joe Kulka, Mary Katie Leech, Jacque Liu, Emilio J Maldonado, Jeff McCloskey, John McDaniel, Gigi McGee, Joyce Millman, Mary Murphy, Rosemary Murphy, Tara O’Brien, Timothy O’Donnell, Alice Oh, Nasheli Juliana Ortiz González, Lynn Palewicz, Maya Pindyck, Kaitlin Kylie Pomerantz, Heidi Ratanavanich, Abby Schwartz, Colleen McCubbin Stepanic, Lauren Stichter, Kristen Neville Taylor, Nicholas Tazza, Christie Torgerson, Ian Tornay, Daniel Tucker, Heather Ujiie, Kimberly Voigt, Piya Wannachaiwong, Jonathan Wallis, Kelli S. Williams and Stephen Wood



​January 26 – March 16, 2019

In conjunction with the 2019 Faculty Triennial professor Jonathan Wallis presents the special curatorial project River of Inferno — a selection of paintings by the Chinese-American artist, Yiu-Ngok Yuen, produced during his final years in self-exile from his native China. Aptly titled by the artist, the series takes viewers on a critical journey through the fallout from China’s twentieth century political and cultural transformations. Guided by Yuen’s artistic imagery, we ride the tumultuous waves like Dante who, in his Divine Comedy, is led by the poet Virgil over the River Styx. Tragically, the immoral circles of Dante’s Inferno echo all too clearly in the subjects and layers of history embedded in Yuen’s neo-expressionist paintings.
CLICK HERE to download the gallery notes.