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Cindy Stockton-Moore


    • Syracuse University, Syracuse, NY, M.F.A. Painting
    • George Washington University, Washington, DC, Combined B.A. in Art History and Fine Arts

    Recent Exhibitions

    • “Drawing first + last,” University of the Arts, Hamilton Gallery, Philadelphia, PA (Curator: Mark Campbell) 2015
    • “Consciousness & Revolt,” (solo project), Wilson Gallery, The Galleries at Moore, Philadelphia, PA, 2015
    • “The Writing on the Wall,” The Painting Center, New York, NY (Catalog), 2015
    • “Catalyst: Leaving a Lasting Impression,” Lore Degenstein Gallery, Susquehanna University, Selinsgrove, PA, 2015
    • Writing Lessons, group exhibition at Butter Projects, Detroit, MI. October 2014.
    • Listening In, group exhibition at Abington Arts Center, Abington PA. October 2014.
    • Flesh and Bone, group exhibition, at Hillyer Art Space. Reviewed by Mark Jenkins in the Washington Post, July 2014.
    • Solo Artist Installation 'Other Absences' at Eastern State Penitentiary, Philadelphia, PA. May 2014 - ongoing. Featured by Peter Crimmins for WHYY and Susan Snyder for the Philadelphia Inquirer. Reviewed in 'Reports from Philadelphia on Daily Serving, essay by Renny Pritkin.
    • Blood + Butter + Bone, group exhibition at The Active Space, Brooklyn, NY, April 2014. Reviewed by Willow Goldstein in Arts in Bushwick
    • Exhibition, Eastern State Penitentiary, Philadelphia, PA, 2014.
    • Liminal Sites: 2013 Triennial Faculty Exhibition, Moore College of At & Design Galleries, Philadelphia, PA (Curator: Kaytie Johnson) 2013
    • Drawing Connections, Boston Center for the Arts, Boston MA (Curator: James Hull) 2013
    • B-Sides, Rebekah Templeton, Philadelphia PA
    • Towards Futility (Solo Exhibition,) Artspace Liberti, Philadelphia, PA, 2012
    • Unessential Night, Coop Gallery, Nashville, TN, 2012
    • WaterLine: Mark Stockton and Cindy Stockton Moore, Center for Contemporary Art, Bedminster, NJ (Curator: Mel Leipzig) 2011
    • A Californian Hotel: Manifest Destiny, Public Fiction (the museum of), Los Angeles, CA, 2011
    • The Unsettled, University of Delaware at Crane Arts Gallery, Philadelphia PA (Curated by Michael Merry & Patrick Koziel) 2011
    • The Book as Art, The Museum of Science and Industry, Tampa, FL, 2011
    • Black Sunday, Saint Cecilia’s Convent, Brooklyn, NY (Curated by Saira McLaren), 2011
    • Omission Breath, Tompkins Projects, Brooklyn, NY, 2011
    • An Island Now Peopled: Abby Goodman and Cindy Stockton Moore, Chashama Chelsea Project Space, NY, NY, 2010
    • Cinema 01, Kenneth Paul Lesko Gallery,  Cleveland, OH (Curator: Ross Lesko), 2010
    • Fort Tree, Figment Interactive Sculpture Garden, Governors' Island, New York, NY (Collaboration with Abby Goodman) 2010
    • Scavenger Project 2, Brooklyn Art Library, Brooklyn NY (Catalog) 2010
    • Fahrenheit 180: A Group Encaustic Exhibition," Ann Street Gallery, Newburgh, NY (Curated by Virginia Walsh) 2010

    Recent Activities

    • Co-curated the exhibitions: “Spin, Dazzle, Fade” and “Color-Coded” at Grizzly Grizzly, Philadelphia PA 2015
    • ​Tele-presenting at FATE, 'Foundations in Art: Theory and Education: Tectonic Shifts' for a session I proposed entitled 'Towards an Ethical Foundation: Adjuncts in the Curriculum.' March 2015. Indianapolis, IN.
    • Profiled in the articles "Putting Art at the Heart of Neighborhood Redevelopment" on Pop City and "Grizzly Grizzly" on Springboard for the Arts Creative Exchange. Essay by Nicole Rupersburg also appeared on Flying Kite, May 2014.
    • Essay 'Giving it Away' published in 'Never Edition' January 2014 and on Title Magazine
    • Session Chair, FATE (Foundations in Art: Theory and Education) National Conference, SCAD, Savannah, GA, 2013
    • Artist Member of the curatorial collective, Grizzly Grizzly since 2012
    • 'Copy/Paste: The Original Work of Christopher P. McManus,' Essay by Cindy Stockton Moore
    • Member of the Curatorial Collective Grizzly Grizzly and City Wide. Featured in Artists collectives joining forces in Philly for City Wide initiative in Newsworks.
    • Currently being featured, along with her husband, in the Studio Visit section of Title Magazine in an interview by Jacob Fiege.
    • Featured Artist in the upcoming issue of The Rusty Toque, a Toronto-based literary and arts journal (Issue 4: Due out February 2013)
    • In April, she will be chairing a session at the FATE National Conference entitled 'As Seen on TV: Incorporating Strategies from Reality Competition TV into Foundations’.
    • WHYY news rotation today speaking about the upcoming collective gallery initiative 'Citywide':
    • Interview with artist, Anne Schaefer was posted Title Magazine, February 25th:
    • “A Fine Line: Married Artists Present Discomfiting Images,” Courier News, Ralph J Bellatoni, November 18, 2011
    • “Leipzig Curates Mark Stockton and Cindy Stockton Moore,” The Star Ledger, Dan Bischoff, November 10, 2011

    Awards & Fellowships

    • Awarded the Swimpony CrossPollination Grant. In the coming year, I will be partnering with novelist Ken Kalfus and performer Adrienne Mackey to create a cross-disciplinary project.
    • Featured Artist, The Rusty Toque journal, Issue 4, Toronto, Canada, 2013
    • Cover Artist, Flavorpill Magazine: San Francisco, Los Angeles, Chicago and New York: July 2009
    • Juror’s Prize, selected by Joan Snyder, Encaustic Works 2007, Kingston, NY: September 2007
    • Visiting Artist Residency, Tin Shop, Breckenridge CO: June 2007