RUTH DUCKWORTH / CLAIRE ZEISLER
October 12 – November 17, 1979
An exhibition featuring work by Ruth Duckworth and Claire Zeisler, major figures in the arts and crafts movement of the late-20th century. Curated by Helen Williams Drutt.
THE RECORD AS ARTWORK. FROM FUTURISM TO CONCEPTUAL ART: THE GERMANO CELANT COLLECTION
February 3 - March 8, 1978
Presenting the extensive art record collection of Italian critic Germano Celant, this exhibition includes over 150 records and album covers recorded and frequently designed by artists including Filippo Marinetti, Karel Appel, Richard Huelsenbeck, Jime Dine, Yves Klein, Michael Snow, Marcel Duchamp, Andy Warhol, Oyvind Fahlstrom and Robert Whitman.
December 9, 1977 - January 27, 1978
Including sculptures, constructions and drawings representing fifteen years of artistic production, this is Hudson’s first solo exhibition on the East Coast. Curated by Dianne Perry Vanderlip.
November 7 –11, 1977: Michelle Stuart
January 23 – 27, 1978: Laurie Anderson
March 6 –10, 1978: William Wegman
May 22 – 26, 1978: Dennis Oppenheim
This cooperative workshop and exhibition program consisted of sending four prominent contemporary artists to each of four schools during the 1977-78 academic year. The four institutions included California State University at Long Beach; Moore College of Art; University of New Mexico Albuquerque; and Wright State University. During their one-week residences, each artist involved students, faculty and members of the community in an activity of their own design.
SCHILLING AT MOORE
February 26 - March 26. 1976
An exhibition of binocular paintings and stereoptic phenomena by Swiss artist Alphons Schilling curated by Dianne Vanderlip.
February 25 – March 25, 1977
Four large-scale environmental works by artist Alan Shields. Curated by Dianne Perry Vanderlip.
COLLECTION IN PROGRESS: 200 OR SO SELECTIONS FROM THE COLLECTION OF MILTON BRUTTEN AND HELEN HERRICK
January 14 - February 11, 1977
A selection of works from Milton Brutten and Helen Herrick’s remarkable collection of contemporary art, including works by Vito Acconci, Al Held, Bill Jensen, Robert Smithson and Michelle Stuart. Curated by Dianne Perry Vanderlip.
October 1 - November 12, 1976
This exhibition is an exploration of the intimate teacher-colleague-student relationship that existed between John Sloan and Robert Henri while they were sharing studios, plays, parties and ideas in Philadelphia. Curated by Dianne Perry Vanderlip.
16 PROJECTS / 4 ARTISTS
This cooperative workshop and exhibition program consisted of sending four prominent contemporary artists to each of four schools during the 1976-77 academic year. The four institutions included California State University at Long Beach; Moore College of Art; University Kentucky Lexington; and Wright State University. During their one-week residences, each artist involved students, faculty and members of the community in an activity of their own design.
January 23 - February 20, 1976
A retrospective exhibition of abstract paintings by Robert Natikin. Curated by Dianne Perry Vanderlip.
October 16 - November 21, 1975
An exhibition of works by contemporary Philadelphia artists selected from the collection of the Philadelphia Museum of Art curated by Dianne Perry Vanderlip.
February 28 - April 4, 1975
An exhibition featuring drawings by artists from across the United States, including Karen Carson, Jim Dine, Claes Oldenburg, Willem deKooning, Jasper Johns, Roy Lichtenstein, Ed Ruscha, Ed Pashke and Cornelia Schulz. Curated by Dianne Perry Vanderlip.
Curated by Dianne Perry Vanderlip with catalogue introduction by Alphonso Ortiz. Partially funded by the Pennsylvania Council on the Arts and the National Endowment for the Arts.
September 13 - October 11, 1974
An exhibition of paintings and drawings by the New York-born artist curated by Dianne Perry Vanderlip.
A collection of American photographs, many taken by William W. Chapin between 1880 and 1915.
October 26 - November 23, 1973
Curated by Dianne Vanderlip, an exhibition of recent works by the Swedish artist with accompanying catalogue and introduction by the artist.
September 21 - October 18, 1973
Co-curated by Dianne Perry Vanderlip and Lucy R. Lippard, and exhibition on conceptual art by Laurie Anderson, Agnes Denes, Jennifer Bartlett, Nancy Holt, and Athena Tacha.
March 23 - April 20, 1973
Curated by Dianne Vanderlip, this is the first major exhibition of artists’ books in the United States. Accompanying catalogue has introduction by John Perroult. A special book was produced in conjunction with the show by Claes Oldenburg called Moore Ray Gun Poems. The exhibition traveled to the University Art Museum, Berkeley, University of California and was on view there from January 16 - February 24, 1974.
Co-curated by Dianne Vanderlip and James Monte, Associate Curator of Paintings and Sculpture, Whitney Museum of American Art. This exhibition includes artists Philip Wofford, Gary Stephan, Carl Gliko, Bill Pettet, and Dan Christensen, accompanied by catalogue with introduction by James Monte.
October 27 - November 21, 1972
October 15 - November 19, 1971
Curated by Dianne Perry Vanderlip, an exhibition with works by John Clem Clarke, Lowell Nesbitt, Mac Wells, Paul Narckiewicz, Ian Hornak, and H.N. Han; accompanying catalogue with introduction by William Wilson.
March 10 - April 14, 1972
Curated by Dianne Vanderlip, and exhibition exploring the way fine art artists use portraiture as opposed to how it is used by photographic artists. Accompanying catalogue with introduction by Peter Bunnel.
THE PICTURES OF ROBERT RIGGS
Curated by Dianne Vanderlip
Curated by Dianne Vanderlip, an exhibition of animal sculptures.
March 1 - 28, 1971
Curated by Dianne Vanderlip, an exhibition with works by Jack Earl, Douglas Baldwin, Jun Kaneko, Bill Lombardo, Donna Nichols, and Bill Stewart; accompanied by exhibition catalogue.
ALICE NEEL: A COMPREHENSIVE EXHIBITION OF PAINTINGS, 1930-1970
January 15 - February 19, 1971
Curated by Dianne Vanderlip, this is Neel’s first solo museum exhibition and is a comprehensive span of 50 years of her work. Showcased by her alma mater, Moore College, the exhibition was celebrated in conjunction with the artist receiving an Honorary Doctorate of Fine Arts.
October 16 - November 19, 1970
Curated by Dianne Vanderlip, a germinal exhibition dealing with the early activities of the conceptual artists including Richard Smithson, Bruce Nauman, John Baldessari, and Joseph Kosuth. Accompanying catalogue with introduction by Lucy Lippard and Les Levine.