Jonathan Wallis

jwallis@moore.edu

Sarah Peter Hall Room 201

Education


  • PhD, MA, Temple University
  • BA, University of New Hampshire

Recent Activities


  • Session Chair: The Ethics of Social Practice. College Art Association, New York City, NY. 2015.

  • Book review: Roger Rothman, Tiny Surrealism: Salvador Dali and the Aesthetics of the Small. Journal for Surrealism and the Americas. 2014.

  • Lecture: Observation/Interpretation/Liberation/Participation: The Changing Role of the Viewer in Art, Department of Education, Philadelphia Museum of Art, Philadelphia, PA. 2014.

  • Lecture: Contemporary Trends in Art: Participatory Art, Teachers Summer Institute, Moore College of Art & Design, Philadelphia, PA. 2014.

  • Moderator, Fiona Tan Study Day, Department of Modern and Contemporary Art, Philadelphia Museum of Art, Philadelphia, PA. 2014.

  • Conference presentation: “Walking the Line in Museums: Participation and Its Discontents,” Session: Contemporary Art Practices and Audience Engagement: An Institutional Perspective, Southeast College Art Association, 2013.

  • Moderator, "Local Action," Relational art component of the exhibition, Living as Form, Moore College of Art & Design, Philadelphia, PA. 2013.

  • Lecture at the Philadelphia Museum of Art, "Narrative in Modern and Contemporary Art," July 2013.

  • Routledge Encyclopedia of Modernism, authored entries on Arshile Gorky and Robert Rauschenberg.
  • "Behaving Badly: Animals and the Ethics of Participatory Art," Journal of Curatorial Studies, no. 2, 2012.
  • Juror, Fleisher WIND Challenge (Photography and Time-based Media), Fleisher Art Memorial, Philadelphia, PA. 2012.
  • “Blending Art and Ethics: Marco Evaristti’s Helena and the Killing Aesthetic.” Session: Beyond Censorship: Art and Ethics, College Art Association, Los Angeles, CA. 2012.

  • Guest speaker, Theater Production of Tina Howe’s MUSEUM, Villanova University Department of Theater and Performing Arts, Villanova, PA. 2012.

  • “They Drew First Blood: Jenny Drumgoole and The Real Women of Philadelphia.”  Session: Spoofing Off: Are Parody and Satire Effective Form of Institutional Critique?, Southeastern College Art Conference/Mid-America College Art Association, Savannah, GA. 2011.

  • Guest Curator, "Jenny Drumgoole: Real Woman of Philadelphia" Levy Gallery, Moore College of Art & Design, January-March, 2011.

  • “Salvador Dalí’s The Ecumenical Council: A Paranoiac-critical Exegesis.” Symposium: Why Have There Been No Great Modern Religious Artists, ASCHA, Museum of Biblical Art, New York City, 2011.

  • Session Chair, Dalí Vision: Optics, Perception, and Spatial Illusion in the Art and Writings of Salvador Dalí (post-1940), Society for Literature, Science, and the Arts, 2010.  

  • “Masters of Deception: Salvador Dalí’s Stereoscopic Paintings and Gerrit Dou’s The Quack” Session: Slight of Mind: The Magnetic Convergence of Science and Magic in the Modern Era, Southeastern College Art Conference/Mid-America College Art Association, 2010.

  • Reviewed Catherine Millet’s book, "Dali and Me", in the "Journal for Surrealism and the Americas", 2009.

  • Lecture Series on Contemporary Art through the Lens of Photography, Woodmere Museum, Philadelphia, PA, 2009.
  • Dalí panelist. Symposium: The Metamorphosis of Sigmund: Freud and His Afterlives, The Wilma Theater, Philadelphia. June, 2009.
  • “Office Ladies, School Girls, and Video Vixens: The Multiple Identities of Mariko Mori’s Women in Post-Bubble Japan,” Women’s Art Journal, May/Summer 2008
  • “Holy Toledo!:  Salvador Dalí’s paranoiac-critical mysticism and the Life of St. John of the Cross” in The Dalí Renaissance, ed. Michael Taylor. Yale University Press, 2008.

Read Jonathan Wallis' faculty profile